Seventeen-year-old Sidonie Ardash is leaving her home in Uptown Rivalie, headed for the Bromian Ghetto, a forbidden place she has only read about in the pages of a book written by her mother. She finds a new home, a new family, and a new life in the haunted world of the Broms, a people displaced and cursed by unknowable . . .
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Welcome to the world of master fabulist Edward Morris, where History has been pulled down a Hieronymus Bosch rabbit-hole and everything makes far too much sense. In Morris’s alternate history tour de force, on an East Coast two centuries after Armageddon, a rogue soldier throws himself back in Time to wreak havoc upon History and feed on the blood in . . .
Vera Langstrom, beloved wife, mother, and grandmother, is dead. She finds herself in the depths of the ocean, where lost souls wander unguided in dangerous and unbalancend afterlife. . . .
If you were the bane of existence cursed with catastrophic power, would you choose to save the lives of those who abused you, or witness and bring upon their demise? The Dark Crystal, and the Light Crystal, contain magnificent power, but together create an unparalleled path of absolute annihilation. But each carrier is destined to defeat the other. So, . . .
Panflick is an online novel in the manner of Tom Jones. It deals with the limits of marriage, limits of family, limits of religion and limits of life. Its hero is Adam Panflick (1936 -). Irony, iconoclasm, a Terry Southern edge and a Kubrick sensibility suggest its general drift. . . .
Seventeen-year-old Sidonie Ardash is leaving her home in Uptown Rivalie, headed for the Bromian Ghetto, a forbidden place she has only read about in the pages of a book written by her mother. She finds a new home, a new family, and a new life in the haunted world of the Broms, a people displaced and cursed by unknowable . . .
Catherine is a woman around 30 years old, beautiful, intelligent, dangerous. In a way you could see her as just a nymphomaniac lacking excitement in her life. But that wouldn’t be fair to the scheming and complex person that she really is. Try and read it, you might just get swept away in the vortex of her life and thoughts. . . .
The British Isles, the 16th century. Decades ago, the fae returned to the mortal world. Released by a coven of magicians after centuries of imprisonment, they swept across the British Isles, covering the land with a tangled forest of enchanted trees. Cities fell. Thousands died. Only a handful of cities were saved. Years later, the people of the . . .
In 1918 Standard Count, the lead singer of Tapestry, Eràsis, jumped to her death at the Great Falls. One day later, the most devastating and thorough computer virus in history erased almost all data connected to her. Only her music and several fragmentary interviews remain. Amkzí, a canyon woman living at the close of the twenty-first century, embellished . . .
A work of “singularity” fiction, in which reality itself is controlled and shaped by an intelligent agent for the benefit of humans who now live forever, can no longer harm one another (without consent), and in which no desire is left unfulfilled. In a world where everything is safe, where any whim can be instantly satisfied, what is there . . .
“All Kinds of Things Kill” is a horror anthology that contains 9 stories. The stories are gruesome, frightening, perverse, imaginative, and sick; in other words, they have all the elements that go into making a horror anthology a good one. So turn the lights off, grab a blanket, and get ready to enjoy some chilling tales. . . .
Lilith Parker is working at the local paper, announcing births and birthdays and deaths. One morning her boss Shannon gives her a more exciting assignment – research the local haunted house and write an article on its history. Nice flavor for Halloween, right? But then Shannon turns up dead the next day, the local townspeople seem intent on keeping . . .
Jonathan Baron’s music has left him and so has the love of his life, a woman he’s no longer certain even really exists. Convinced that his buried childhood memories are the key to determining whether or not she was merely a figment of his imagination, he seeks out his family’s ancestral home. From the moment he sets foot unto . . .
I didn’t like this story, but it’s not the fault of the writing. The writing, in fact, is of a very high calibre: sophisticated, rich, intelligently researched, effectively surreal – and full of horror. And cold.
It starts off relatively innocently, the elegantly designed website seducing the hapless reader. Even if [more . . .]
I made it past chapter one and am glad I did—this work is sobering, well-written and insightful. It’s a tribute to how good the author is, that I can be drawn to feel tolerance for these often brutal characters that, like Caroline’s old ways, I would want utterly destroyed if I’d ever met them.