overall 3 votes: 
editor rating: 
The story of Cirno Excalibur, who found a pole in his back yard, got struck by weird lightning, and went with his new talking pole to go fight the demons. . . .
overall 3 votes:
editor rating:
Oktober is a labyrinthine, psychological road novel that blurs the line betweens reality and fantasy. Each chapter is divided into four sections, each of the sections is a journal entry written by one of the main characters. Thus, each chapter is told four times over, from each character’s point of view. The characters openly invite the readers into their minds, . . .
overall 3 votes:
editor rating:
An Interactive/Cross-media Novel Can you help Arie discover happiness by Labor Day? Will she find adventure? Will she find romance? Will she find the smiles her life has been missing? Arie has a Greyhound Discover Pass and an entire summer to explore the country. She’s asking her readers to play spin the compass and point her toward the places . . .
overall 8 votes:
editor rating:
A sprawling fantastic tale of the ’60s, supposedly written by “legendary” B-movie director Larry Winchester. . . .
overall 2 votes:
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It is the story of a nearby future, not too dark but neither too bright. A world ravaged by economic failure and a drastic solution, slavery. Follow the trials of Jonathan, a 12 years old, a bright student and a slave of a Scientific Institution . . . . . . which works to upgrade the intelligence of dolphins. And his unlikely . . .
overall 3 votes:
editor average:
Malika’s life in medieval Baghdad seems perfect. Then the rumours start surfacing—that her three husbands are (gasp!) literate. She’s pushed from her happy bubble to discover a world of murder, fanaticism, female eunuchs, genocide and spiced tea. . . .
The beginning of Maggots of Heresy has the voice of a history text. After that, we’re introduced to the scenes of a grisly murder depicted that is described as art.
This bothers me. Perhaps the author or the characters can find beauty in its feces covered ugliness, but I, as a [more . . .]