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Torn World by multiple parties

A science fantasy shared world.

Torn World offers a unique shared world platform with flavors of science fiction, high fantasy, slipstream, steampunk and alternate realities.  Two widely disparate cultures are poised to meet – a close-knit, peaceful, unicorn-herding people, and a sprawling, expansionist, pre-industrial Empire that uses time technology in a near-magic fashion.  Created by Ellen Million, multiple authors and artists have used the . . .

An ongoing series, with new episodes weekdays.
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Hyperlink Your Heart by randomhuman

Until there's nothing left

Out of loneliness, or boredom, maybe, you assign a URL to your heart and share it on the forums and social networks you frequent.  The hits trickle in at first, the unusually curious trampling through, poking and prodding, unsure of what they’re seeing.  But then the links spread.  Everybody wants to see your heart, to have a role in pulling . . .

A growing collection of stories, updated weekly.
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The Khandroma Project by Khandroma

Tears are Condensation of Poetry in the Sky

The Khandroma Project is the personal, interactive and ever-evolving portfolio of Khandroma.  The Khandroma Project has it all from experimental/hybrid fiction to poetry to stream-of-consciousness writing.  Come on in, kick off your shoes, grab a cup of tea and get comfy! Comments, feedback, and constructive criticism are encouraged at The Khandroma Project where dialogue is nurtured.  Art is a conversation; . . .

A growing collection of stories, updated almost daily.
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Random Editorial Review

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Random Member Review

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TORN WORLD

A World to Explore

Member: Wyld_Dandelyon
May 5, 2011

I speculate that Torn World started with a vision of the survivors of a terrible disaster (The Upheaval) living in an arctic wilderness with the help of huge, mischievous unicorns, and wondering what it would be like when their descendants meet—and clash with—a vast empire that uses steam and time technologies.  The Empire is ruled by scientists, themselves descendants [more . . .]

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