(S)wine is good.  The pieces are aptly called "short, lean cuts," and the writing is scary-effective—sudden stuff that really captures emotion.  Every line reads with the urgency of sending time-sensitive freight.  Pop, pop, pop.  Cut, cut, cut.  Most online fiction I see is bogged down with a kind of . . . conceit.  Worlds with crazy names and rules and geography but no moments.  [more . . .]