editor rating 1 vote: 
The Khandroma Project is the personal, interactive and ever-evolving portfolio of Khandroma. The Khandroma Project has it all from experimental/hybrid fiction to poetry to stream-of-consciousness writing. Come on in, kick off your shoes, grab a cup of tea and get comfy! Comments, feedback, and constructive criticism are encouraged at The Khandroma Project where dialogue is nurtured. Art is a conversation; . . .
In 1918 Standard Count, the lead singer of Tapestry, Eràsis, jumped to her death at the Great Falls. One day later, the most devastating and thorough computer virus in history erased almost all data connected to her. Only her music and several fragmentary interviews remain. Amkzí, a canyon woman living at the close of the twenty-first century, embellished . . .
overall 9 votes: 
editor average:
Marcus, a.k.a “w1n5t0n,” is only seventeen years old, but he figures he already knows how the system works–and how to work the system. Smart, fast, and wise to the ways of the networked world, he has no trouble outwitting his high school’s intrusive but clumsy surveillance systems. But his whole world changes when he and his friends find themselves . . .
overall 4 votes: 
editor rating:
Set in a world where high school meets high treason, Mind + Body sees protagonist and narrator Chris Baker under fire from rogue elements inside the Marine Corps, the FBI, and a handful of paid killers as he attempts to uncover a conspiracy that seems to envelop his entire life. Chris leads an entirely normal life until his father, . . .
“Little Brother” is the story of Marcus Yallow, a high school geek who gets caught in the wrong place, at the wrong time. He and his friends skip school to play an Alternate Reality Game but are picked up by Homeland Security in the aftermath of a terrorist attack on San Francisco. When they are finally released, they find their [more . . .]
This book is about young hackers fighting when tyranny passes the tipping point in their neighborhood.
What is striking is what Stephen King in his book On Writing refers to as the most important part of fiction – the truth. These characters are real, their situations ring with historicity and valid [more . . .]