overall 9 votes: 
no editorial rating
Existential Terror and Breakfast follows the dreary, listless life of Malcolm Steadman. It concerns not the exciting, life affirming moments of his life, but rather the tedious, boring moments that are interrupted by epiphanies both bleak and terrible without warning when he fails to busy himself. It concerns the moments that make breakfast too profound to eat. . . .
Death is universal in all human literature. It is an all-consuming concept that we are all inexplicably drawn towards. Death is the ultimate equaliser. For however grand our arrival, our departure is always guaranteed. We relish in seeing tragedy befall upon others. The ruination of others brings us catharsis and a twisted sense of relief that such tragic happenings . . .
overall 1 vote: 
no editorial rating
This serial tale will chronicle the lives of three women who form an unlikely, but certainly unforgettable, bond of friendship, love, and forgiveness. Lost, alone, or starting-over, their paths cross—and the story actually begins—in the small (made-up) town of Whestleigh, Connecticut. Here, together, they find themselves . . . by finding one another. In essence, North of Happenstance can best be summed up . . .
overall 1 vote:
no editorial rating
Intertwined Lives isn’t your typical space opera. It’s a look at ordinary life in a space opera setting. It’s about what heroes do when they’re not saving the day. It’s about the younger siblings and kids of heroes and their struggles with everyday problems . . . with futuristic twists. It’s about love. It’s about family. It’s about life. . . .
overall 2 votes:
editor rating: 
Soletus, a young elf, was looking forward to completing his monk training to become a Warden of the Dias Brotherhood. However, he is held back by his well-meaning, but strict father. Instead of joining the ranks, he is paired up with a traumatized shy boy name Mien. Between Mien’s anxious odd behavior and the crime he committed, helping him isn’t . . .
No editorial review available.
Dec 2, 2014: While I wouldn’t call it a comedy, NoH has a friendly and light tone to it. The good news: it’s got a steady pace that carries the story along well enough to keep your finger scrolling. The bad: scenes can drag and feel a little like filler, and the writing is weakened by its need for another round proofreading.
Welcome to Whestleigh (which I think is pronounced like ‘Westley’), a quiet town where Kate has moved for a fresh start. We [more . . .]