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Corvus by L. Lee Lowe


In an alternate present the minds of teen offenders are uploaded into computers for rehabilitation—a form of virtual wilderness therapy. Zach is a homo cognoscens, one of the new humans who can navigate the Fulgrid. Though still a high school student, he is indentured to the Fulgur Corporation as a counsellor. Laura is a homo sapiens. Their story is part odyssey, part tragedy, part riff on the nature of consciousness.

Note: Corvus contains some graphic sexual content, graphic violence, and harsh language.

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Editorial Reviews

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Weblit, in every sense of the term

By Eli James, editor

Aug 30, 2010: "Listen, sugar, some things never change. Once a nigger lover, always a nigger lover. Only now they call them augers."

I have put off writing this review for the longest time. I finished Corvus at the tail end of 2009, and then had a few conversations with Lee, its author, not too long afterwards.

"What did you set out to do?" I asked.

Lee quibbled. She doesn’t believe in talking about her work, especially not when the author may get in the way of the reading experience. And perhaps she’s right.

Corvus is, for the most part, several intersecting stories folded up into one. Part of it takes place in a snowy dreamscape, a place that is virtual and computer-controlled, but is implied to be something more. The other bit takes place in the real world, flitting back and forth between events that happened (or are happening) to the main characters. The stories run concurrently in the text, but you’re never really sure if the time is linear. Perhaps the events are circular, or perhaps what happens in the dreamscape never really happened at all.

I’ve reread Corvus twice in the time that I’ve delayed writing this review – and I still don’t understand the meaning behind the intertwining narratives. Perhaps I don’t dare to make an interpretation. Perhaps I am not a good enough reader.

At its heart, Corvus is a love story. There are two kinds of humans in its world: the Homo Sapiens, and the Homo Cognoscens. The latter, called the augurs, are genetically modified human beings designed for very specific, cognitive tasks. I believe they’re employed to help ‘correct’ wayward juveniles (through aforementioned virtual world) but why this is important and why they’re so expensive and valuable is unclear to me.

Laura, a human, falls in love with Zach, an augur. Lee is masterful in describing their growing attraction to each other. The two quickly become real people in the pages of her book. Their story is beautiful, marked by quiet longing, and small gestures of tenderness. And in the wintry dreamscape Zach hunts for Laura, stumbling in the cold with only her necklace as his guide. He misses her, searches for her, wants her. The novel throbs with his pain.

If the distance between Laura and Zach form the emotional core of the novel, then there are other bits that don’t quite fit in, but make you fear for their lives. Fulgur is the corporation that owns the augurs, and Laura’s family is quickly drawn into the mess that begins with Zach’s winter foray. Something is horribly wrong with the way the augurs are used. Zach is only at the tip of it.

The novel sings with tension, between all these interconnected stories, and then it leads to an abrupt, if unfathomable ending.

Lee told me, back then, that she wanted to explore the nature of human consciousness through Corvus. I have spent much of this review speaking of the events in the book, of the forbidden love that is written with such beauty so as to make the writer in me envious; of the trepidation that builds in the second act, leading to its climax. I can certainly recommend Corvus on the basis of that tension, the depth of its characters, and the power of its prose, consistent and beautiful as it is throughout the novel.

But the literary core at the heart of Corvus I cannot get at. It is there, I see flashes of it, but I don’t understand. Perhaps Lee wants it that way. Corvus is a reflection of the human consciousness. It forces you to read yourself into the story. It challenges the reader with its ambition as much as it does its writer.

As one of the few weblit (and I mean this in every sense of the term!) pieces out there, Corvus is a work of art. Whether it is a good one: time (and repeated rereadings) will tell. Till then, 4 stars.

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Editor’s First Impression

By Fiona Gregory, editor

May 2, 2010: Starts with forbidden teen love amid futuristic conspiracy. Becomes progressively more cryptic as events start to take place in virtual reality. At some point I lost patience trying to figure out what was going on, but I may just have been overly sleep deprived that night. If this sort of thing floats your boat, give it a try. Writing is proficient with some vivid descriptions.

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Most Helpful Member Reviews

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By intergal, member

Jun 16, 2010: Corvus slips between the story of Zach and Laura, and then Zach’s ‘professional’ life with the Fulgrid as a homo cognscens, a new evolution of human that has ‘developed’ special powers at a cost.

Previous reviewers have focused on the high school elements and the developing love story between Zach and Laura, but it would be a mistake to define this as just a high school love story. It may look like Twilight or High School Musical on the outside because [more . . .]

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By Loribeth215, author of The Daughters of Warring

Feb 16, 2010: Corvus takes place in a world where two types of humans exist, the superior (homo cognocens), and supposedly inferior (homo sapiens). In this story, Zach is of the superior breed, while Laura is what we’d consider a normal human.

At its heart, Corvus is a tale of two young people from different backgrounds falling in love. The story weaves in and out of virtual reality, through adventures (such as a bear hunt), and unsettling episodes of "normalcy" (we witness a [more . . .]

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