A young professional in Chicago discovers the nebulous power of style, which subsequently threatens to consume him as he propels himself towards the American Dream. . . .
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Servicing the Pole is the portrait of a New York stripper—a battle-worn misfit slogging her way through the city’s roughest clubs, watching as the job replaces her personal life, and secretly harbouring rock star ambitions. As the fast-paced night life’s deceptive promises of easy money gradually give way to the harsher realities of addiction and prostitution, Emily must decide—is . . .
Diggory Franklin met a beautiful woman today. Twice. The first time, she warned him of impending doom and then bestowed the most passionate kiss of his life. The second time, she had no memory of the first. And that’s really just the start of his problems . . . . . .
I am a writer and passionate reader of literary fiction. Diary of a Heretic is where I post work in progress, polished as best I can within a daily time frame, except when stories need a little more development. I also post flash fiction (less than 500 words). . . .
The Tales of Germaine, Oregon The Applegate Trail: Susie Applegate is a reporter for The Germaine Truth, the town newspaper, owned and operated by her dad, Howard Applegate. Susie chronicles the stories of the people of Germaine, and with the help of 11 year old Shaherazade Budreau, is determined to solve a 50 year old murder mystery – . . .
Lethe Bashar’s Novel of Life is a work of fictional autobiography. The main character, Lethe, is the author’s self-proclaimed alter ego and former adolescent self. On three different weblogs, spanning 25 years, the reader is encouraged to read the text from any point in time and proceed in any direction. Lethe in Spain follows Lethe’s adventures living abroad—at first . . .
Ride with Madness is set in the long hot summer of 1995. It opens with Helen Byrne, who yearns for personal freedom in her stifling marriage to the upwardly mobile Malcolm. Her compulsive involvement with ex-prostitute Carla and the flamboyant cult leader Addison threatens to tip all of them into the kind of madness where no one seems to have . . .
A past that can damn him and no future, Trey has to act. What would you do? On the run and homeless. You would grab at every opportunity like it was your last. This is the last chance for Trey. Dead Drop is a fiction blog, a modern Noir set in Santa Monica and Los Angeles, California. Listinged every . . .
Short stories, flash, contemporary, mainstream fiction for the attention-challenged reader. . . .
It started as a simple experiment: How would two characters survive being homeless in the Sims 3? This is their story. Alice is a young woman struggling to cope with homelessness and an abusive father. Kev barely knows he has a daughter and yearns for love he can’t reciprocate. . . .
Vignettes which blur the distinction between what is most definitely fiction and what is less convincingly false. . . .
The Urban 30 captures the lives of several heroes, on and off the clock of being super. Each main character is written by a different writer. . . .
No More Ramen is a fiction story set in the modern day. There are no monsters or magic, unless of course you count the mystical elixir produced by the sage known as Jose Cuervo. It is the story of college student who wins a record lottery jackpot, only to decide he prefers his life the way it is. Instead of . . .
I’ve read the first 16 chapters of Estimated Time of Arrival, and either I don’t understand it, or it’s rather uneven. There are a good number of chapters when the writing is vibrant and funny and insightful and revealing—when I love its warmth, its honesty, its gentle, laid-back rhythm. And then there is a bunch of boring, frat-boy, stoned drunkeness [more . . .]
I am currently reading Shaw’s "Servicing The Pole", and I want to start by saying that I think it is to her credit that she wants to maintain her independence as an author and remain true to her vision for the dimensions of her main characters. I am enjoying the fact that Shaw seems able to [more . . .]