The Big Picture’s author, Tasha, attempts to paint broad portraits with her words.  The first chapter is devoted to the little details of a room, and the woman in it, as she finishes making love to a man, his body wounded from an accident.

It sounds like an interesting middle to a story:  why are they together? How did he get hurt?  Unfortunately, it’s an interesting idea that gets dragged down by technical problems.

From the ground up, good writing is like building a house (to use a simile).  You need the right tools and a good foundation, or the best architectural design is going to collapse.  Tasha clearly imagines these people, cares about them as a writer, and wants readers to do the same.  But the tools are lacking.

For one thing, the story changes tenses, between past and present, from sentence to sentence, without rhyme nor reason.  Like, I am writing this sentence right now, but by the time you read it, I will have written it in the past.  Because of this simple problem of sentence structure (most stories are written in past tense) it becomes difficult to tell when the present and past of this story take place, once there begin to be flashbacks.

The next problem:  too many details, not enough story.  I really don’t care that there are six bracelets on Sandy’s wrist, I want to know what’s happening between her and Rob, and why.  I don’t want to know that they just had sex; I want to know how they met, why she’s cheating on her husband, and what led them here.  If this is a romance, why are we being told about the important parts of falling in love, instead of seeing scenes showing it?

The most frustrating thing for me, as a reader, is that other readers commented on these problems in the first chapter alone (let alone the rest of the story) and yet little has changed.  I’m not saying anything the author hasn’t already heard.  But good writers listen to their audience and learn from their mistakes.

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Considering the fact that this is the very first creative venture of the author (no poetry or short stories whatsoever), then I can firmly say that this is quite a feat!  The tenses, as one commenter had said, are just to be proofread.  What’s important is the passion and zest of the story.  How the author could clearly describe [more . . .]

For any reader who loves romance and intrigue then the Big Picture is for you. I promise you once you start reading you will get hooked and will want to read it till the end. Tasha Bud relases new chapter every fortnight or so and readers are addicted. A truly wonderful read.

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The Big picture is an on-going novel by Tasha, a prolific writer who can aptly describe the heartbreaking emotions and pain that her characters feel in the novel.

Each chapter arouses the viewer to read on and on . . .  Read the chapters as they unfold with passion and romance.

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