editor rating 1 vote: 
Welcome to the world of master fabulist Edward Morris, where History has been pulled down a Hieronymus Bosch rabbit-hole and everything makes far too much sense. In Morris’s alternate history tour de force, on an East Coast two centuries after Armageddon, a rogue soldier throws himself back in Time to wreak havoc upon History and feed on the blood in . . .
overall 5 votes: 
editor rating: 
Veteran detective Jake Burleigh is chosen to solve a case using an amazing new technology. It’s only after he finishes the job that the real mysteries begin. Strangers in the Brain is a mysterious detective noir blended with a delirious, dreamlike sci-fi twist. . . .
overall 5 votes: 
editor average:
It’s 2042 in the California Free State metroplex of Bay City. Kat and Mouse are a pair of ronin—guns for hire—trying to eke out a living. They have the skill. They have the will. And they have the bad habit of getting in over their heads. Which usually means run-ins with rival ronin, punkergangs, the mob, the . . .
overall 4 votes:
no editorial rating
Thomas Bleakly, Private Investigator is batflip insane. Sometimes it works for him, sometimes . . . not so much. One day a beautiful woman hires him to find her father. The catch? She’s a robot. Told from three perspectives, none of them necessarily trustworthy. Watch out for for nonsensical subplots, insane characters, and conspiracies that span whole realities. . . .
“Kat and Mouse” is a fast-paced, near-future web serial about two ronins, or street mercenaries, and their attempts to make a living. The partners take jobs as hired muscle or delivery girls, but always seem to run afoul of the street gangs, Mafia, Yakuza and other rival groups in the violent underbelly of Bay City.
"Strangers in the Brain" is the story of Detective Burleigh, who participates in an experimental form of detective work—he uses a device called the Flytrap to enter the mind of a criminal and extract where he’s hidden the bodies of the people he’s murdered.
While the premise is similar to the [more . . .]