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The Philosopher in Arms by Karen Wehrstein

A novel of power, love, war and spirit

The Philosopher in Arms is the massively-revised version of my two traditionally-published fantasy novels, Lion’s Heart and Lion’s Soul (Baen Books, 1991) set in the “Fifth Millennium” world collaboratively created with S.M. Stirling and Shirley Meier. Almost 3,000 years after a human-made cataclysm reduced both human population and technology back to primitive levels, civilization is rising again slowly.  Here . . .

A serialized novel, updating weekdays.
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asa kraiya by Karen Wehrstein

What would you do . . . to live?

asa kraiya is the sequel “that never should have happened” to my two traditionally-published fantasy novels, Lion’s Heart and Lion’s Soul (Baen Books, 1991).  Greatest of warriors and greatest of leaders, Fourth Chevenga Shae-Arano-e lives “the life of other men’s dreams”—except that he faces certain death by the age of thirty. When a healer with the gift of seeing . . .

A serialized novel, updating weekdays.
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Captive Prince by Freece

Damen is the true heir to the throne, but when his half brother seizes power, Damen is captured, stripped of his identity and sent to serve the prince of a rival nation as a pleasure slave. . . .

A serialized novel, updating monthly.
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Random Editorial Review

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THE PHILOSOPHER IN ARMS

Description of a Warrior’s Life

Editor: Linda Schoales
November 20, 2009

“The Philosopher in Arms” is a fantasy novel written from the point of view of a great warrior-leader looking back on his life.  Fourth Chevenga Shae-Arano-e’s people, the Yeola, live in a pre-industrial society where the Assembly makes the rules and the decisions, but the semanakraseye acts in times of war.  Chevenga is the son of a semanakraseye, and has [more . . .]

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Random Member Review

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CAPTIVE PRINCE

A must-read

Member: Ellipsis
June 18, 2011

This was the first original fantasy novel I ever read online, and it remains one of the best, and one of my favourites. The writing is rock solid technically, and the characterisation is incredibly sophisticated: in particular, the characterisation of Laurent through Damen’s eyes is absolutely brilliant.

Freece also occasionally puts [more . . .]

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