Static Breaker is a series of episodic short stories set in a near-future China. Caleb Wenright is being observed. Someone known only as Lucidity has shown an interest in him. He has no idea why – he’s just a normal 16 year old – but he intends to find out. Is Lucidity a hacker, a corporate thief, or something completely . . .
It’s 2042 in the California Free State metroplex of Bay City. Kat and Mouse are a pair of ronin—guns for hire—trying to eke out a living. They have the skill. They have the will. And they have the bad habit of getting in over their heads. Which usually means run-ins with rival ronin, punkergangs, the mob, the . . .
As the years roll by, the world changes from that which we know. Even in spite of impressive new strides in technology and what long seemed a forgiving end to further climate change, the various nations and unions of the Earth . . . not to mention the land itself . . . still bear the almost incalculable burden of ever increasing human population. Bach Kanavagh, a quietly . . .
Earth is being invaded! Panic, scream, run about . . . pant, catch your breath . . . call your fiends and check your Facebook and Twitter . . . get bored with the whole thing then see what else is on cable . . . The earth is filled with people and now things have come to earth who are not human. So now what? Does this mean that I still have to . . .
Oct 8, 2009: I enjoyed Kat and Mouse. Fast. Funny. Lots of blood between paragraphs. Read it while liveblogging at The Dispatch. Kept me entertained.
Damn.
Abner Senires has the skills. The chops, as they say in the biz. Writing reads snappy. Characters a little on the diptzy side, though. Lots of action. Good light reading. Very little commas.
Hard to imagine it as a book.
Oct 3, 2009: I appreciate a story about female heroes that don’t take any shit, and that’s basically what Kat and Mouse is about: two futuristic gun-toting, sword-wielding busty babes in the style of the Dirty Pair, wreaking havoc mission by mission.
The writing is very straightforward, more focused on action and dialogue than introspection, with sparse descriptions. The narration of Kat, laden with fluid slang, is on the mark, consistent and quick, and the highlight of the series. Kat’s relationships with her partner [more . . .]