overall 8 votes: 
editor rating: 
Short stories, flash, contemporary, mainstream fiction for the attention-challenged reader. . . .
overall 2 votes:
editor rating:
Irregular slices of life, usually flash-sized, varying in flavor and texture. Magic realism, science fiction, fantasy, all/none of the above. Mundane details of some significance, or of significance to some. The bored and boring. Suburbia, academia, convenience stores, liquor stores. First-world problems in our world and others. . . .
overall 5 votes:
editor rating: 
Adam’s subject matter tends towards the surreal or at least the very least weird. His writing has been described in the press as a ‘Chandler-esque hard-boiled cocktail, stirred with equal parts humour, mystery, gut-wrenching realism, and trademark minimalism’, ‘weird, wonderful, twisted and witty’ and even ‘almost Fawlty Towers’ which is, unsurprisingly, one of his favourites. His first book, a collection . . .
overall 3 votes: 
editor rating:
Out of loneliness, or boredom, maybe, you assign a URL to your heart and share it on the forums and social networks you frequent. The hits trickle in at first, the unusually curious trampling through, poking and prodding, unsure of what they’re seeing. But then the links spread. Everybody wants to see your heart, to have a role in pulling . . .
editor rating 1 vote:
The Khandroma Project is the personal, interactive and ever-evolving portfolio of Khandroma. The Khandroma Project has it all from experimental/hybrid fiction to poetry to stream-of-consciousness writing. Come on in, kick off your shoes, grab a cup of tea and get comfy! Comments, feedback, and constructive criticism are encouraged at The Khandroma Project where dialogue is nurtured. Art is a conversation; . . .
editor rating 1 vote:
A collection of flash fiction and longer stories. . . .
I read the first installment of Idiosyncracy and Intrepidity and instantly fell in love. I know I fell in love because it’s sci fi, because there are galaxies involved and shiny worms that chew wormholes through the fabric of space.
The writing is rough because of typos/grammatical errors/writing nuances, but it [more . . .]
(S)wine is good. The pieces are aptly called "short, lean cuts," and the writing is scary-effective—sudden stuff that really captures emotion. Every line reads with the urgency of sending time-sensitive freight. Pop, pop, pop. Cut, cut, cut. Most online fiction I see is bogged down with a kind of . . . conceit. Worlds with crazy names and rules and geography but no moments. [more . . .]