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Diary of a Heretic by Kathleen Maher

Pure Fiction

My online fiction blog opens with an episode of my novel, novella, or short story in progress. The categories listed on the far right sidebar are completed works of fiction. Some I’ve rewritten and others are waiting to be rewritten. Also listed on the sidebar are links to my flash fiction—stories in fewer than 500 words. My . . .

A growing collection of stories, updated twice weekly.
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The Khandroma Project by Khandroma

Tears are Condensation of Poetry in the Sky

The Khandroma Project is the personal, interactive and ever-evolving portfolio of Khandroma.  The Khandroma Project has it all from experimental/hybrid fiction to poetry to stream-of-consciousness writing.  Come on in, kick off your shoes, grab a cup of tea and get comfy! Comments, feedback, and constructive criticism are encouraged at The Khandroma Project where dialogue is nurtured.  Art is a conversation; . . .

A growing collection of stories, updated almost daily.
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Flesh Wounds by Linton Robinson

That which doesn't kill us... scars us.

The cult-classic “noir” columns return. Charles Bukowsky said, of these pieces,  “What this guy understands is that the street IS a wound.” Hunter Thompson commented, “And people keep saying they should lock ME up.” . . .

A growing collection of stories, updated weekly.
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Random Editorial Review

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FLESH WOUNDS

experimental, but with little substance

Editor: A. M. Harte
November 12, 2009

A disclaimer: I generally post reviews only after having read a good proportion of a story (at least 50%, if not everything posted). I’m not entirely sure how much of content I’ve read of Flesh Wounds but – to be honest – I’m not interested in reading more.

Flesh Wounds is [more . . .]

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Random Member Review

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DIARY OF A HERETIC

An excellent writer, and only getting better

Member: Dan Leo
September 23, 2008

I’ve been following Kathleen’s bloggistic fiction for over a year now, and I am a big fan. Her writing is unlike any other. I can’t even think who to compare her to, and why bother? Her writing is somehow almost impossibly subtle—she sees beneath the surface always, and this unseen becomes visible in her words, almost tactile.

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